LAST CALL
(SWYTECK NO. 7)
Many years ago, Jack Swyteck saved Theo Knight's life.
Theo grew up on the streets of Miami's roughest neighborhood and lost his mother to a violent crime. Although his uncle Cy tried his best to raise him right, by the time he was a teenager, Theo was on death row for a murder he didn't commit. Jack was the lawyer who proved him innocent.
Now a successful bar owner, Theo has turned things around. But he needs Jack's help again, this time more than ever.
An escaped convict from the old neighborhood shows up at Theo's back door, asking for help. In return, he'll finger the man who murdered Theo's mother. But the answers aren't so simple, and soon Theo's own life is in danger.
Jack and Theo must piece together a twenty-year-old conspiracy of greed and corruption that leads to the very top of Miami's elite, while revisiting a past that Theo has tried hard to forget. But Theo also has the opportunity to seek the revenge that has fueled him since the day he found his mother dead in the street on a hot Miami night.
Last Call is a brilliant and bullet-fast thriller, complete with revelations that no reader will ever forget.
Critical Praise
"A wild ride. . . . Mysteries pile up within mysteries. There's plenty of shoot-'em-up action, but Grippando goes beyond the formula [and] gives us people we can root for. A surprisingly warm thriller with the flavor of the real Miami."
- Kirkus Reviews
"The dependable Grippando delivers a solidly plotted thriller, with plenty of breaks for romance, most notably Jack's renewed interest in FBI agent Andie Henning, and some colorful back story on the Knight family's longtime interest in Miami's jazz scene."
- Booklist
Behind the book...
“Last Call: The Cycle of Death”
Have you ever thought you were going to die? I don’t mean standing on stage in front of a crowd of people and discovering that your fly is open, or trying to stop the bed from spinning after too many margaritas. I mean lights out, grim reaper, game over, I am going to die. A realization like that can trigger a range of emotions—fear, anger, sadness, panic, denial, disbelief, and so on. A lot depends on the circumstances. It’s one thing for a doctor to say you’ve got two years to live and quite another to find yourself spinning out of control in an automobile and headed straight toward an eighteen wheeler.
Now, here’s another spin on it: Have you ever thought someone was going to kill you? Here again, I don’t mean when your high-school buddies dropped you off at 3 a.m. and your father was on the front porch pointing at his watch with a scowl on his face. I mean standing face-to-face with a cold-blooded murderer who has decided that it was time for your life to end.
People who don’t live in Miami probably think that everyone in this crazy city has at one time or another fought off a killer. That’s probably an exaggeration. I’ve lived in Miami since 1984, and most of my friends have never had this experience. Unfortunately, I have. Luckily, I lived to tell about it, and if you read the opening scene of Last Call, you will get an almost dead-on account of what happened to me.
Cycling is one of my hobbies, but here’s something that might surprise you. Miami is not a particularly bicycle-friendly city. Key Biscayne has terrific bike trails, and there is a scenic trail leading out of Coconut Grove, but just about anywhere else in the city you’re left to fight for a sliver of the lane with automobile drivers who have been voted the meanest on the planet. I’ve had beer bottles thrown at me from pick up trucks. I’ve been run off the road by soccer moms in too much of a hurry. And I’ve been chased by gangs. It was the gang chase that almost killed me.
I was riding my twelve-speed out of Coconut Grove, a world of extremes south of Miami, where some of south Florida’s most beautiful neighborhood literally brush up against ghettos. I noticed a car behind me, a totally-refurbished, twenty-year-old classic Chevy Impala that had all the trappings of the finest in gang wheels. Metallic-blue paint job with a flaming red devil atop the hood. Bumpers, mirrors, and side strips in high-polished chrome that glistened in the sunset. Low-ride, hydraulic suspension that left barely enough ground clearance for a garden snake. I knew it was a gang. And it was following way too close. I suddenly found a higher gear and raced through the green light, crossing six lanes of stopped traffic on U.S. 1. The car sped up, flying over the gentle crown in the highway, the chassis scraping on asphalt, sending sparks flying.
I was now officially worried.
I steered off the road and made a hard right onto the paved bicycle path. Behind me, tires screeched as the gangsters steered their car onto the same bike path in hot pursuit. The path was like a narrow, winding road beneath the elevated Metro-rail tracks. A tall chain link fence topped with spirals of razor wire bordered the left side, separating the public path from warehouses and auto-repair shops. To the right were the three southbound lanes of U.S. 1, an endless stream of traffic headed in the opposite direction at better than fifty miles per hour. I had nowhere to go but due north along the bicycle path. I swerved a few feet to the left, and the Chevy followed. I juked to the right, and so did the Chevy. The driver was clearly toying with his prey, practically kissing my rear tire with the Impala’s big chrome bumper. I was inches away from being road kill when I reached a cross street. I made a hard left turn down a side road of broken asphalt and rutted gravel. I hit a mud puddle and nearly fell, but I managed to right myself and keep going. I had to stand on the pedals to maintain my speed. The all-out sprint was taking its toll. And then my heart sank: Dead ahead was a solid block wall.
The paint-and-body shops on either side had closed hours earlier, their windows and doors protected by roll-down, metal security shutters. I’d found myself a blind alley. I dropped my bicycle and ran, searching frantically for a way to scale the wall. It was like a sheer cliff. I turned and faced the music—literally—as the noisy low-rider with the boom boxes blaring raced toward me. All I could think was, Man, this is it.
The Chevy skidded to a stop. I saw three bad-ass kids sitting in the front seat. The passenger door flew open.
“Get him, Jerry!” the driver shouted.
No one moved.
“Take the bike,” I shouted, my voice quaking. “Really. You can have it.”
“Cut him, Jerry, Cut him right now! Do you want in the gang or don’t you?”
At that moment, I knew I was screwed. I was a random selection for a gang initiation. This kid had to stick me with his blade to be one of them. I don’t remember exactly what I did next. Survival kicked in, and I probably adopted some goofy martial-arts, self-defense pose. I heard more cursing from inside the Chevy, and I could suddenly breathe again. Jerry was chickening out.
“Pussy!” one of them shouted at Jerry.
The car sped off. I picked up my bicycle and sped home.
Living in any big city, you see gang graffiti from time to time, and you probably think gang violence is never going to impact your life directly. But this personal brush with death percolated in the back of my mind for years. I’ve often wondered what happened to Jerry and his buddies—if Jerry ever made it into the gang, if he ever did find the guts to cut someone at random, if he ended up face-down in the street like so many other gang bangers. That personal experience, and my own speculation about those kids, finally found some artistic expression in the depiction of gangs and gang culture in Last Call. It helped to shape my creation of Theo Knight’s teenage years, which makes him all that much more complex and entertaining as a principal character in the Jack Swyteck series.
So enjoy. And don’t ride your bike after dark—at least not in Miami.
